debussy dior dress | 1950s dior gowns debussy dior dress This evening dress of silk satin and velvet, designed by Christian Dior (1905-57), is constructed in two parts. The tight-fitting top is attached to the skirt with a series of complex fastenings.
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By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or Hera to the .This dinner dress retains many of the Dior hallmarks: the full, pleated skirt, bracelet-length sleeves and high breast pockets. The soutache braid creates a striking visual effect. The fact that the .
“A favourite dress was ‘Debussy,’ an evening ensemble in blue silk net embroidered with iridescent sequins, featuring a strapless bodice, slender column-like skirt, and separate sweeping train, from Dior’s Ligne Verticale collection.”By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or Hera to the Greeks, were among the most coveted of his designs.This dinner dress retains many of the Dior hallmarks: the full, pleated skirt, bracelet-length sleeves and high breast pockets. The soutache braid creates a striking visual effect. The fact that the dress was never altered from its original "New Look" length makes it a rare survivor from the earliest period of Dior prêt-à-porter.This evening dress of silk satin and velvet, designed by Christian Dior (1905-57), is constructed in two parts. The tight-fitting top is attached to the skirt with a series of complex fastenings.
Designer Christian Dior French. fall/winter 1948–49. Not on view. Vogue (September 15, 1948) noted the extraordinary neckline of this dress, specifying the "plunging neckline with side-slanted fold." The asymmetrical gathering of fabric swoops around the neck in the same manner as the 1948 skirts but closes low in the front, exposing an .
Christian Dior’s debut collection in 1947 revolutionised womenswear with the now-iconic New Look silhouette that helped re-establish the prominence of French couture. And, while the nipped waist structured silhouette eventually gave way to floaty ‘Tulip’ dresses and A-line silhouettes, Dior’s ability to deliver iconic looks persisted.
For his evening dresses of the late 1940s and early 1950s, Dior made masterful use of surface embellishments. After the deprivations of World War II, the designer believed that the survival of. Christian Dior, "Debussy" sequined evening gown worn by Margot Fonteyn, S/S 1950. Lent by Fashion Museum Bath. Photograph by William Palmer. Christian Dior, “Debussy” sequined evening gown worn by Margot Fonteyn, spring/summer 1950. Lent by Fashion Museum Bath. Photograph by William Palmer Ballerina: Fashion's Modern Muse The Museum at FIT
Femininity was back in vogue as Christian Dior set a new standard for fashion innovation and excellence. In the early 1950's Dior moved away from the nipped waistlines and generous skirts of The New Look to form collections based on geometric lines. “A favourite dress was ‘Debussy,’ an evening ensemble in blue silk net embroidered with iridescent sequins, featuring a strapless bodice, slender column-like skirt, and separate sweeping train, from Dior’s Ligne Verticale collection.”
By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or Hera to the Greeks, were among the most coveted of his designs.
This dinner dress retains many of the Dior hallmarks: the full, pleated skirt, bracelet-length sleeves and high breast pockets. The soutache braid creates a striking visual effect. The fact that the dress was never altered from its original "New Look" length makes it a rare survivor from the earliest period of Dior prêt-à-porter.This evening dress of silk satin and velvet, designed by Christian Dior (1905-57), is constructed in two parts. The tight-fitting top is attached to the skirt with a series of complex fastenings.
Designer Christian Dior French. fall/winter 1948–49. Not on view. Vogue (September 15, 1948) noted the extraordinary neckline of this dress, specifying the "plunging neckline with side-slanted fold." The asymmetrical gathering of fabric swoops around the neck in the same manner as the 1948 skirts but closes low in the front, exposing an . Christian Dior’s debut collection in 1947 revolutionised womenswear with the now-iconic New Look silhouette that helped re-establish the prominence of French couture. And, while the nipped waist structured silhouette eventually gave way to floaty ‘Tulip’ dresses and A-line silhouettes, Dior’s ability to deliver iconic looks persisted.
For his evening dresses of the late 1940s and early 1950s, Dior made masterful use of surface embellishments. After the deprivations of World War II, the designer believed that the survival of. Christian Dior, "Debussy" sequined evening gown worn by Margot Fonteyn, S/S 1950. Lent by Fashion Museum Bath. Photograph by William Palmer.
when were ball gowns invented
Christian Dior, “Debussy” sequined evening gown worn by Margot Fonteyn, spring/summer 1950. Lent by Fashion Museum Bath. Photograph by William Palmer Ballerina: Fashion's Modern Muse The Museum at FIT
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debussy dior dress|1950s dior gowns
